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So, in between getting Kiddo through the last of 4th grade (sniff), getting ready for summer (Rhode Island!), and copy edits for MRS. ROOSEVELT'S CONFIDANT (hair-pulling and nail-biting), I've also been researching and writing book #6 in the Maggie Hope series, THE QUEEN'S ACCOMPLICE.
This is now two books ahead for readers — and I want to be careful not to spoil anything for anyone. But I can say that THE QUEEN'S ACCOMPLICE will follow Maggie from Washington, D.C. back to London. And in it, we'll meet a new baddie — the Blackout Ripper — a serial killer (or, rather, a "sequential murderer," since the term "serial killer" wasn't in use back then) who preys on the smart, ambitious, professional women.




Good question.
Jack keeps coming up in the public consciousness as well as literature and pop culture for many reasons. Any plot about about the Jack the Ripper (or a new Ripper) contains coded discussions of the dangers of unrestrained male sexuality, misogynist fears of female sexuality, and censure of female autonomy.
And so I turned to the scholarly book, A CITY OF DREADFUL DELIGHT, a feminist interpretation of the Ripper murders and their effects. The book also explores how Jack the Ripper (and his many fictional variations) has acted as a catalyst for women’s anger against male violence against women in the public sphere. As author Judith R. Walkowitz argues: "The Whitechapel murders have continued to provide a common vocabulary of male violence against women, a vocabulary now more than one hundred years old. Its persistence owes much to the mass media’s exploitation of Ripper iconography. Depictions of female mutilation in mainstream cinema, celebrations of the Ripper as a 'hero' of crime intensify fears of male violence and convince women that they are helpless victims."
And so, in other words, if I'm going to take on the Ripper myth as a feminist writer with a strong heroine, I'd better tell it in a radically different way. And that's my goal. In the usual Ripper stories and films, the Ripper's challenger is a man — a detective or a journalist usually. The female victims are peripheral to the hunt/catch story.
In this newest Maggie Hope book, I want to turn that traditional Ripper narrative on its head.

I'm also doing research on women in police force during World War II. Yes! It's true!
And not just researching, but writing, too — it's just a wee bit too early for me to feel comfortable showing any pages. But please rest assured there are about 100 rough pages written, 100 more sketched out pages, and a whole slew of notes and ideas. Maggie's met a lot of horrific people in wartime, but this — a serial killer — is a first. And it's scary. (I'm scaring myself sometimes, which must be good, right?)
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